1,672 Free Images of Tsukioka Yoshitoshi

ukiyo-elos angeles county museum of artwoodcuts from japan in the los angeles county museum of art国立国会図書館nihongandl-dc 1312947-azuma nishiki-ejapanese peoplewomanbijin-gathirty-two aspects of women
A Chronicle of the Pursuit of Rebels at Kagoshima, Yoshitoshi, February 1877
woodcuts from japan in the los angeles county museum of artukiyo-e
Thirty-two types of customs: Kawai Rashisau Indoor customs since 1880, 1888
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Newly selected Higashi Nishiki-e painting of Okubo Hikozaemon climbing the castle, 1886
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This Dynasty’s Guide to Loyalty and Filial Piety, Wulin Wei Qi/Filial Daughter, Lotus, 1881
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Thirty-two aspects of customs: Hingayosasau: The customs of government ladies in the Kyowa era, 1888
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Newly selected Higashi Nishiki-e illustration of a night attack by a giastic warrior, 1885
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Hontaka Tadanobu Sato Shiro Tadanobu/Kusukawachi Magistrate Masashige and Nandomon Maru Masaki, 1881
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Illustrated lessons on good and evil: Children with good teachings/Children with bad habits, 1880
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Newly selected Higashi Nishiki-e painting of Okubo Hikozaemon climbing the castle, 1886
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Newly selected Higashi Nishiki-e illustration of a night attack by a giastic warrior, 1885
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Thirty-two aspects of customs - Abunasau - Customs of geishas during the Meiji era, 1888
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Let's enjoy the 32 aspects of customs. The customs of the master during the Kaei era., 1888
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Thirty-two Aspects of Customs: Let's Remember: Karuko Fukagawa's Wind in the Tenpo Years, 1888
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Thirty-two Aspects of Adultery Nikurashisau Ansei Period Nagoya Girl's Adultery, 1888
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The Thirty-Two Aspects of Customs: The Customs of the Ansei Period, Town Geishas, ​​and Drinkers, 1888
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Geschikt, Yoshitoshi, 1888
japanese 19th-century prints in the rijksmuseum amsterdamukiyo-e
The diptych of Joan of France or Saint John the Baptist with the Virgin and Child, Yoshitoshi, May 1885
tsukioka yoshitoshiukiyo-e
Sketch of Hanai Oume Killing Minekichi, Yoshitoshi, circa 1887
drawings from japan in the los angeles county museum of artukiyo-e
Maan van de grafsteen, Yoshitoshi, 1886
japanese 19th-century prints in the rijksmuseum amsterdamukiyo-e
Tsukioka Yoshitoshi – Looks Interested in Buying’, Mannerisms of a Housewife from the Kaei Period [from Thirty-two Aspects of Women]
printing shopping
Maebara Ikkaku Holding a Sword, Yoshitoshi, August 1878
woodcuts from japan in the los angeles county museum of artukiyo-e
Tōbōsaku, Miura Daisuke Yoshiaki, and the Son of Urashima Tarō Drinking Wine　東方朔、浦島の子、三浦大介義明, Yoshitoshi
ikkai zuihitsu by tsukioka yoshitoshiukiyo-e
Thirty-two aspects of customs: It's dark. The customs of my wife during the Meiji era., 1888
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Thirty-two Aspects of Customs and Customs - The Okiga Tsukisou - The Customs of Saikyo Nakai in the Meiji Period, 1888
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The Four Seasons and Spring of the East: Ebara District Hara Village Spring Plum Blossom View, 1884
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Tsukioka Yoshitoshi – Looks Like she Wants a Stroll’ Mannerisms of a Housewife in the Meiji Period [from Thirty-two Aspects of Women]
printing people
Tsukioka Yoshitoshi – Looks Graceful’, Mannerisms of a Beautiful Woman from the Tenpo Period [from Thirty-two Aspects of Women]
printing people
Ichikawa Danjūrō ​​IX as Masashibō Benkei in Kanjinchō, Yoshitoshi
woodcuts from japan in the los angeles county museum of artukiyo-e
The Four Seasons and Spring of the East: Ebara District Hara Village Spring Plum Blossom View, 1884
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A lesson in loyalty and filial piety of this dynasty Kato Higo Mori Kiyomasa/filial son Sagoro, 1881
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Iga no Tsubone, Yoshitoshi, 1886
japanese 19th-century prints in the rijksmuseum amsterdamukiyo-e
Onoe Kikugorō V as the Witch of Adachigahara, Yoshitoshi, August 1890
actor prints by tsukioka yoshitoshiukiyo-e
The Prostitute Osai of Shiogama Rescuing a Tokyo Merchant from Gamblers, Yoshitoshi, April 1875
the postal news by tsukioka yoshitoshiukiyo-e
Beauty with Irises, Yoshitoshi
woodcuts from japan in the los angeles county museum of artukiyo-e
The Pupils of Uji Joetsu Practicing Fencing, Yoshitoshi
woodcuts from japan in the los angeles county museum of artukiyo-e
The Siege and Submergence of Takamatsu Castle, Yoshitoshi, January 1867
woodcuts from japan in the los angeles county museum of artukiyo-e
The Lonely House on Adachi Moor in Northern Japan, Yoshitoshi, September 1885
prints vertical diptych by tsukioka yoshitoshiukiyo-e
Old woman flying away with her severed arm, Yoshitoshi, 1889
japanese 19th-century prints in the rijksmuseum amsterdamukiyo-e
Tsukioka Yoshitoshi – Looks Cold’, Mannerisms of a Fukagawa Nakamachi Geisha from the Tenpo Period [from Thirty-two Aspects of Women]
printing winter
Seigen en Sakurahime Seigen daraku no zu (titel op object), RP-P-2007-150, Yoshitoshi, 1889
japanese 19th-century prints in the rijksmuseum amsterdamukiyo-e
Tsukioka Yoshitoshi – Sakuma Dennai [from Yoshitoshi’s Selection of One Hundred Warrior]
printing history
Tsukioka Yoshitoshi – Looks Heavy’, Mannerisms of a Fukugawa Waitress from the Tenpo Period [from Thirty-two Aspects of Women]
printing people
Kimura Shigenari Overcoming Attackers, Yoshitoshi, 1881
woodcuts from japan in the los angeles county museum of artukiyo-e
Police Arresting the Geisha Oharu and Okin for Injuring an Old Man While Galloping on Horseback, Yoshitoshi, April 1875
1875 in japanukiyo-e
Ota Yazaemon and His Son Fusajirō Sever and Exchange Fingers before the Son Departs for War, Yoshitoshi, April 1875
the postal news by tsukioka yoshitoshiukiyo-e
Genji in the Countryside, Yoshitoshi, August 1885
prints vertical diptych by tsukioka yoshitoshiukiyo-e
Tsukioka Yoshitoshi – The wife of Hideyori [from Yoshitoshi’s Selection of One Hundred Warrior]
printing history
The Great Battle at Yashima, Yoshitoshi, 1883
woodcuts from japan in the los angeles county museum of artukiyo-e
Hakoōmaru Kneeling by a Short Sword, Yoshitoshi, 1878
a mirror of wisdom, benevolence, and valor in japan by tsukioka yoshitoshiukiyo-e
Nagazashi Gonji by a Lotus Pond, Yoshitoshi, 1865
biographies of fine modern men by tsukioka yoshitoshiukiyo-e
Preparatory Drawings for Illustrations of Melodramas, Yoshitoshi
drawings from japan in the los angeles county museum of artukiyo-e
The Osaka Youth Who Regained His Speech after His Father's Death, Yoshitoshi, April 1875
the postal news by tsukioka yoshitoshiukiyo-e
Namikiri Jūzaborō with Drawn Sword, Yoshitoshi
biographies of fine modern men by tsukioka yoshitoshiukiyo-e
Akino and His Father, Jimbei, Yoshitoshi, 1881
1881 in artukiyo-e
Sagaminokami Hōjō Saimyōji Nyūdō Tokiyori, Yoshitoshi, 1885
yoshitoshi's warriors trembling with courageukiyo-e
Tsukioka Yoshitoshi – Looks Delicious’, Mannerisms of a Courtesan from the Kaei Period [from Thirty-two Aspects of Women]
printing moon
Senzaki Yagorō, Yoshitoshi, June 1868
woodcuts from japan in the los angeles county museum of artukiyo-e
Sono no Goro zonder zadel paardrijdend naar Oiso Sono no Tokimune hadaka uma ni nori Oiso ni kakeru (titel op object) Benkei, op de rug gezien, een handrol lezend Shinnyo tsuki (titel op object) Schetsen van Yoshitos, RP-P-1990-153, Yoshitoshi, 1882
japanese prints in the rijksmuseum amsterdamukiyo-e
The Seige and Submergence of Takamatsu Castle, Yoshitoshi
toyotomi kunkōki (the toyotomi chronicles) by tsukioka yoshitoshiukiyo-e
Heroes of the Novel Suikoden, Yoshitoshi, 7-8/1868
gōketsu suikoden (heroes of the novel suikoden) by tsukioka yoshitoshiukiyo-e
The Naval Battle of Dannoura in the Reign of Antoku, Eightieth Emperor, Yoshitoshi, 1880
woodcuts from japan in the los angeles county museum of artukiyo-e
Kumonryu on a moonlit night in the Shi clan village., Yoshitoshi, 1885
japanese 19th-century prints in the rijksmuseum amsterdamukiyo-e
The Four Seasons and Spring of the East: Ebara District Hara Village Spring Plum Blossom View, 1884
ndl-dc 1312947-azuma nishiki-enihonga
Thirty-two aspects of customs: Indecent manners Kyoto geiko customs during the Kansei era, 1888
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Tsukioka Yoshitoshi – Kayo Fujin, Consort of Prince Hanzokun of India, with a Severed Head [from One Hundred Ghost Stories of China and Japan]
printing head
Okyo`s schildering komt tot leven Okyo no garei (titel op object) Sesshu brengt een tekening tot leven Sesshu katsuga (titel op object) Schetsen van Yoshitoshi (serietitel), RP-P-1990-152, Yoshitoshi, 1882
japanese prints in the rijksmuseum amsterdamukiyo-e
Nagayama Yaichi Ducking Bullets, Yoshitoshi, August 1878
woodcuts from japan in the los angeles county museum of artukiyo-e
Kikuchi Takemitsu Standing by Cherry Tree, Yoshitoshi, 1878
kikuchi takemitsuukiyo-e
Omori Hikoshichi encounters a ghost, Yoshitoshi, 1889
japanese 19th-century prints in the rijksmuseum amsterdamukiyo-e
Edo Chinese Famous Shokai Re 9 Program Kawarazaki Gonjuro / Nezu no Akebono no Sato / Nezu, Utagawa Kunihisa II
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Foreword to the series One Hundred Aspects of the Moon., Yoshitoshi, between 1885 and 1892
japanese 19th-century prints in the rijksmuseum amsterdamukiyo-e
Tokimune and the moon over the mountains after rain, Yoshitoshi, 1885
japanese 19th-century prints in the rijksmuseum amsterdamukiyo-e
Thirty-two types of customs: I want to take a walk. The customs of my wife during the Meiji era., 1888
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Illustrated lessons on good and evil: A wife who serves her husband / A wife who disobeys her husband, 1880
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Tsukioka Yoshitoshi – Looks Cool’, Mannerisms of a Geisha after 1872/3 [from Thirty-two Aspects of Women]
printing summer
Preparatory Drawing for a Book Illustration, Yoshitoshi
drawings from japan in the los angeles county museum of artukiyo-e
Preparatory Drawing for Illustrations of Melodramas and Parody, Yoshitoshi
drawings from japan in the los angeles county museum of artukiyo-e
Preparatory Drawing for Illustrations of Melodramas and Parody, Yoshitoshi
drawings from japan in the los angeles county museum of artukiyo-e
Emperor Sutoku Refusing to Receive the Priest Ennyo in Exile, Yoshitoshi, circa 1880
dai nihon shiryaku zue (illustrated history of great japan) by tsukioka yoshitoshiukiyo-e
The Brave Policeman Taguchi Naokatsu Arresting Three Burglars Single-Handedly, Yoshitoshi
1875 in japanukiyo-e
The Geisha Umekichi Imploring Nakajima Seibi to Leave Her and Return to His Studies, Yoshitoshi, April 1875
1875 in japanukiyo-e
Preparatory Drawing for Illustrations of Melodramas and Parody, Yoshitoshi
drawings from japan in the los angeles county museum of artukiyo-e
Katō Kazuenokami Kiyomasa Kneeling by a Banner, Yoshitoshi, 1878
woodcuts from japan in the los angeles county museum of artukiyo-e
Tsukioka Yoshitoshi – Looks Thirsty’, Mannerisms of a Geisha (Known as Sake Servers) from the Ansei Period [from Thirty-two Aspects of Women]
printing people
Tsukioka Yoshitoshi – Looks Amused’, Mannerisms of a Music Teacher from the Kaei Period [from Thirty-two Aspects of Women]
printing music
Lune du quartier ds plaisirs
ukiyo-ekuruwa
Tsukioka Yoshitoshi – Looks Observant’, Mannerisms of Kyoto Waitress from Meiji Period [from Thirty-two Aspects of Women]
printing people
Preparatory Sketch for General Gun Teibei, Yoshitoshi
drawings from japan in the los angeles county museum of artukiyo-e
I want to become beautiful (?), Yoshitoshi, April 1878
mitate tai zukushi by tsukioka yoshitoshiukiyo-e
The Saga Incident with the Assistance of Toshinao, Yoshitoshi
kōkoku isshin kenbunshi (chronicle of the imperial restoration) by tsukioka yoshitoshiukiyo-e
The Plasterer Toyokichi Murdering His Mistress Oei and Her Family, Yoshitoshi, circa 1875
the postal news by tsukioka yoshitoshiukiyo-e
The Depravity of Seigen, Yoshitoshi, circa 1889
prints vertical diptych by tsukioka yoshitoshiukiyo-e
Snow: The Actor Onoe Baikō, Yoshitoshi, circa 1890
actor prints by tsukioka yoshitoshiukiyo-e
Tsukioka Yoshitoshi – Ashikaga Yoshiteru [from Yoshitoshi’s Selection of One Hundred Warrior]
printing history
Tsukioka Yoshitoshi – Looks Eager to Meet Somebody’, Mannerisms of a Prostitute of the Kaei Period [from Thirty-two Aspects of Women]
printing spring
Tsukioka Yoshitoshi – Looks Good’, Mannerisms of a Pleasure Quarter Geisha from the Kyoka Period [from Thirty-two Aspects of Women]
printing people
Tsukioka Yoshitoshi – Looks Refreshing’, Mannerisms of a Girl from the Kyoka Period [from Thirty-two Aspects of Women]
printing people
Tsukioka Yoshitoshi – Shigeno Yosaemon [from Yoshitoshi’s Selection of One Hundred Warrior]
printing history
Illustrated lessons on good and bad: A bride who protects the way of a woman / A bride who does not know the way of a woman, 1880
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Fang Nian's Essays: One of the Heroes of the Water Margin: Jiu Wen Long Shi Jin/Wen Gong's Wisdom Breaks the Water Bottle
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